I was delighted to be asked to speak at TEDxEHL last month at Ecole Hôtelière de Lausanne. I used my 15 minutes to argue that we are currently going through an Exploration Revolution, but that we’re not making the most of it… especially in schools. The talk takes place during the 125th anniversary of National Geographic, a year in which many people have been asking the society “what’s left to explore?“. This short video answers that question and more.
The latest edition of Ecological Urbanism is terrible doorstop. The first edition is 655 pages, smells good, weighs 2kg and keeps most of my other books in their place. Despite its strengths, it can’t do video… something the latest version on the book can do. The original hardback book by Mohsen Mostafavi and Gareth Doherty features hundreds of photos that I took while walking across Mexico City, Mumbai and London for Urban Earth, a project in urban exploration that I started in 2008. Out today, the new version splits the book into digestible chapters and includes over 15,000 photographs within the 3 Urban Earth films that I made by taking pictures every 8 steps while crossing these massive cities. You’ll find the films in volume 2, Anticipate, and are accompanied by a short piece of text that Kye Askins and I wrote. I’m delighted to see the films come to life in the book. I hope you enjoy it.
The Ecological Urbanism project has a Facebook page that you can follow here.
A good friend, Brendon McConnell, shared The Rapha Continental films with me this morning. We’d been chatting about a small adventure I went on this weekend with Seb (my son) to go hill rolling beside the Uffington White Horse. 110 metres long and around 3000 years old, it’s a great place to roll down ancient hills and to top it off, the landscape itself is called ‘rolling downland’. It was actually a confused conversation because Brendon was thinking about the Westbury White Horse in Wiltshire (a baby in comparison at just over 200 years old) that features in this film by Rapha, who make clothing for cyclists.
There is a whole series of poetic and beautifully made videos that manage to record and represent different senses of places. This film of the Icknield Way, including the Westbury White Horse, contrasts country with urban life so strongly that I actually felt a physical reaction when I watched it. These videos are such great examples of the importance of place(s) in our lives, and how exploration can deepen our understanding and enjoyment of them.
Last year I was lucky enough to be invited into National Geographic in Washington DC to give a Nat Geo Live! presentation. Part of National Geographic’s Geography Awareness Week this is my 50 minute presentation compressed into 20. I hope you like it.
A couple of days ago I asked a few people on Urban Earth and Twitter if they would be interested in taking part in #Urban100, a project that I’m calling an open expedition because it’s going to last a year and anyone can join in. The idea is simple, to collaboratively explore urban places by taking 100 photographs over a 500 metre walk. Using the same stop-motion approach that I used in the Urban Earth films we’ll be able to create films that zoom through the urban landscapes, creating a unique representation of our urban habitats.
We’ve asked that all photos submitted #Urban100 are under a creative commons license so that anyone can edit their own versons of the films.
So far collaborators have said that they’ll be doing #Urban100 explorations in Bristol, Bangkok, London, Glasgow, Falmouth, Toulouse, Porto and Edinburgh with more being added and suggested all the time.
I recently watched Step Up Revolution and was struck by what an awesome case study this film would make in geography classrooms. Some people may be fooled into thinking this is just a film about dance, but Step Up Revolution is a classic geographical (if fictional) study of people, place, power, planning and protest in cities. When a strip in Miami is threatened with topocide and gentrification “The Mob” fight back to protect their home. Guerrilla Geography is rife in this blockbuster, as the dancers move from ‘performance art’ to ‘ protest art’, intentionally occupying spaces to make their point and exert their power. It’s full of beautifully geography-based quotes too, as the characters debate identify, culture and more.
The love interest plot in the film revolves around Sean and Emily, two dancers who have fallen for each other but who are separated by their differences in wealth. To top that it’s Emily’s dad who is trying to redevelop the area and Sean is one of the leaders of the “Mob” that is uprising. Near the end of the film they dance together to the song “To Build a Home” by The Cinematic Orchestra, a beautiful song that with its use in this film draw parallels between finding a sense of home in both place and people… in this case, with each other through dance.
The film ends with Emily’s dad (the property developer) saying “Maybe there is a way to build-up this neighbourhood without tearing it down”. What a classic problem for any classroom of students try and tackle.
I love this short film by the Light Surgeons.
There was an accident on the M4 today so we were forced to leave the motorway at Slough and take the A4 back to Ealing. When we got to Heathrow we saw a sign for Colnbrook and Harmondsworth Immigration Removal Centres, my wife’s research focuses on women, migration, detention, health and home… so we thought we’d turn off and have an explore. It was not just the barb wired buildings that look like they could be logistical distribution centres for a supermarket that struck me, but their positioning to and relationship with their neighbour…
The building on the left looks like it could be a detention and removal centre with it’s concrete walls, small windows and… if you look closely.. two-way surveillance including CCTV cameras and loud speakers. This is actually the Sheraton Hotel at Heathrow Airport. The building behind it is Colnbrook Immigration Removal Centre. Separated by just 50 metres, the ‘visitors’ of each of these dormitories are so close and yet ‘worlds apart’. It looks like they may even be able to look out of their (in)secure bedrooms to one another.
Looking north, in this picture you can see Colnbrook on the left (and west) and the Sheraton to the right (and east). Check out this map.
In their own words, here’s a quick comparison of these two different establishments:
“This centre, near London’s Heathrow airport, holds up to 383 detainees on behalf of the UK Immigration Service plus a further 20 people on behalf of HM Revenue and Customs. Sheraton Heathrow Hotel’s 426 guest rooms are warm, inviting, and designed for your comfort and convenience. Whether you choose a Classic room, Club room, or suite, you will experience the celebrated “ahhhhh” of The Sheraton Sweet Sleeper™ Bed. Since it opened in 2004 – ahead of schedule and under budget – more than 40,000 detainees have passed through the centre, making it one of the busiest removal centres in the UK. Most detainees are awaiting removal abroad, with more than 30 nationalities on average being held at the centre for an average of seven days. Our third floor includes dedicated Starwood Preferred Guest Rooms, as well as Club Rooms. Club Rooms feature King-sized beds, bathrobes, slippers and LCD screen televisions as well as upgraded amenities, free bottled water, complimentary wireless High Speed Internet Access and fitness center access. The short-term holding facility within the centre is used to hold people immediately after their detention by UK Immigration Service. They are usually only held in this facility for 72 hours. Colnbrook also provides a separate custody service to HM Revenue and Customs. Club guests have special access to the Club Lounge. A relaxing, upscale space, the Club Lounge offers complimentary breakfast, afternoon hors d’oeuvres and a variety of beverage options. Take advantage of the private Club Lounge where you can connect with friends, meet with your team, or simply relax by catching your favorite TV show. The majority of those detained are suspected of smuggling drugs inside their bodies into the UK.The centre was designed and built by Serco and operates on an eight-year contract (with the possibility of a two-year extension) with the UK Immigration Service. Need to get some work done? A copier/fax/printer and complimentary office supplies, internet access and computer stations are ready to go. We pride ourselves on providing the best possible environment for our detainees.”*
On the 28th and 29th of May I’m going to go an expedition to circumnavigate the London Borough of Ealing. I’m curious to discover what’s at the edge of the borough. Feel free to join me.
I took these pictures during a walk from Arrivals at London Heathrow to Fleet Street in central London. The walk was part of the Urban Story mass exploration of London that I organised last weekend. While the group I was walking with were inspired to keep their eyes open for ‘arrivals’ I decided to look for evidence of ‘departures’. Anything arriving is simultaneously departing, but each of these events and places caught my imagination as having or being departed.